5 edition of Music-cultures in contact found in the catalog.
Includes bibliographical references and index.
|Other titles||Music cultures in contact|
|Statement||edited by Margaret J. Kartomi and Stephen Blum.|
|Series||Musicology,, v. 16, Musicology (New York, N.Y.) ;, v. 16.|
|Contributions||Kartomi, Margaret J., Blum, Stephen.|
|LC Classifications||ML3798 .M85 1994|
|The Physical Object|
|Pagination||xiii, 289 p. :|
|Number of Pages||289|
|LC Control Number||95234356|
Music is an expressive language of culture. It tells a story, expresses ideas and offers opinions and share emotions of life's experiences. Music ties generations together. The lack of diversity in children’s books is, sadly, nothing new — as NPR pointed out in a new article on the subject, book critics have been talking about the problem for some 50 years. The.
Globalization has become an important issue in today's world. Though scholars have come up with the idea of globalization after the World War II to help to bring peace and prosperity, by studying history one may conclude that globalization, especially cultural integration, has developed a long time ago. The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures.
Music in Culture, Music in Worship: Different Roles and Goals Someone on social media recently sent out a photo of two young boys lost in worship. This photo reminded me of John Calvin’s famous words, “My heart I offer to you Lord, promptly and sincerely.”. Worlds of Music An Introduction to the Music of the World s Peoples Book Summary: The bestselling WORLDS OF MUSIC, now in its fifth edition, provides authoritative, accessible coverage of the world's music cultures. Based on the authors' fieldwork and expertise, this text presents in-depth explorations of several music cultures from around the world, with new chapters on China, Eastern Europe.
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Read "Music \= Cultures in Contact Convergences and Collisions" by Margaret J. Kartomi available from Rakuten Kobo. First Published in Routledge is an imprint of Taylor & Francis, an informa : Taylor And Francis. Music and Culture Unknown Binding – January 1, See all formats and editions Hide other formats and editions.
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Manufacturer: Longman, Inc, 1st Edition Published on Decem by Routledge First Published in Routledge is an imprint of Taylor & Francis, an informa company.
: Music \= Cultures in Contact: Convergences and Collisions (Musicology) (): Kartomi, Margaret J., Blum, Stephen: BooksCited by: Culture and Music George Gershwin once said, “True music must repeat the thought and inspirations of the people and the time.
My people are Americans and my time is today.” Over the years, no form of art has attached itself to humanity more than music.
Music has been creating and destroying. ISBN: OCLC Number: Description: xiii, pages: illustrations, music ; 23 cm. Contents: [Part 1]: Cross-cultural perspectives on genres of performance --Synthesis in the culture of scholarship: problems in investigating and documenting the archaic and modern styles of yoiking by the Sami in Scandinavia / Doris Stockmann --The eastern roots of ancient.
ISBN: OCLC Number: Notes: Includes index. Description: xvii, pages: music ; 23 cm. Series Title: Australian studies in the. narrative traditions from selected music cultures of the world. Resources for the course include lectures, concerts, readings (textbook), audio- and videotapes.
Listening to music is essential for this course but formal music education is not necessary. All students are required to attend lectures andFile Size: 45KB. Start studying Music Cultures of the world.
Learn vocabulary, terms, and more with flashcards, games, and other study tools. The framework is brought to life by applying it to an environment that has a strong Western classical tradition, yet has tried to embrace cultural diversity in music education.
Three recontextualized world music traditions in the highly multicultural environment of The Netherlands are examined in detail: African percussion in a community setting, Balinese gamelan as a vehicle to train music.
Whenever humans come together for any reason, music is there,” writes Daniel Levitin “.weddings, funerals, graduation from college, men marching off to war, stadium sporting events, a night on the town, prayer, a romantic dinner, mothers rocking their infants to sleep and college students studying with music as a background.
” He continues to note that. music is and was [always. cross-cultural similarities and differences in the expression and recognition of emotion in music. The model accounts for the balance of culture-transcendent and culture-Author: William Forde Thompson.
Music Cultures of the World. STUDY. Flashcards. Learn. Write. Spell. Test. PLAY. Match. Gravity. Created by. Rachel_Bo. 1, 2. Terms in this set (34) ethnocentrism. The unconscious assumption that one's own cultural background is "normal", while that of others is "strange" or "exotic" semiotics.
The Second International Symposium on the Malay Musical Arts of Indonesia’s Riau Islands (SIRI) THEME: The Changing Identity and Sustainability of the Music-Cultures and Worldviews of the Riau Islands’ Sedentary Malays and Sea Nomads/ Perubahan Identitas dan Kelanjutan Budaya Musik dan Pandangan Hidup Orang Melayu Tetap dan Orang Suku Laut di Kepri.
With chapters covering topics such as the business models of streaming audio, policy and professional discourses around the changing digital music market, the creative affordances of format and circulation, and local practices of accessing and engaging with music in a range of distinct cultural contexts, the book presents an overview of the themes, topics and approaches found in current social.
The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in.
Every culture in the world has its own form of music that is enjoyed by all ages on every continent. Although each culture is different, music unifies all races and has been used throughout history for different occasions and for enjoyment purposes. Different contexts are explored with rich empirical findings and authentic exemplifying materials.
The book includes fifteen papers, divided into three parts. Part 1 addresses conceptual reflection on languages and cultures in contact and contrast, while Part 2 focuses on contact linguistics and borrowing. Music Cultures in the United States is a basic textbook for an Introduction to American Music course.
Taking a new, fresh approach to the study of American music, it is divided into three parts. In the first part, historical, social, and cultural issues are discussed, including how music history is studied; issues of musical and social identity; and institutions and processes affecting music Cited by: 3.
From ethnographic classics to cutting-edge studies, Music/Culture zeroes in on how musicians articulate social needs, conflicts, coalitions, and hope. Books in the series investigate the cultural work of music in urgent and sometimes experimental ways, from the radical fringe to the quotidian.
Find many great new & used options and get the best deals for Music Cultures of the Pacific, the Near East and Asia by William P. Malm (, Paperback) at .♥ Book Title: Music-cultures in Contact ♣ Name Author: Margaret J.
Kartomi ∞ Launching: Info ISBN Link: ⊗ Detail ISBN code: ⊕ Number Pages: Total sheet ♮ News id: S2E3Q62l-lUC Download File Start Reading ☯ Full Synopsis: "First Published in Routledge is an imprint of Taylor & Francis.One of the best things about ethnomusicology is the diverse array of approaches used to study a music-culture.
One of the worst things about ethnomusicology is the diverse array of approaches used to study a music-culture. Ethnomusicology pioneer Mantle Hood noted it as, “a field that has almost as many approaches and objectives as there are practitioners” (Hood 1).Author: Chris Kjorness.